Savannah
Teaming with SCAD influences the opening of contemporary art spaces in Savannah is quite refreshing. It's such a lovely place to walk about and stumble into things like to gardens, quaint shops and yummy eateries. It's an unexpected pleasure to find interesting and compelling contemporary art in history steeped Savannah.
2carGarage
During my visit in early Feb, an excellent show of Chris Kienke's work was up. His work covers a lot of territory, figures, animals, abstraction, fish, water and yet is all recognizable as Chris Kienke. I liked the variety in the scale of work as well,this variation provided unexpected delight from large diptychs to more personal, small work.
Color abounds, Kienke's visual language is evolving over each piece you see the strokes change, the palette changes, and the content. In his own words, "...I recognized the value in the unintended". Thanks for this show.
Up next at 2carGARAGE is Betsy Cain's strong and decisive mental landscape work. Stop by, you'll be glad you did.
Atlanta
Meeting fellow artists and reacquainting is sheer delight. I love how artist's minds work and how we look at the world. It was my great pleasure to me John Folsom.
John Folsom
Folsom has just received confirmation of a show at the Gibbes Museum in Charleston; well deserved I might add.
John's photo based work lends a dreamy quality to the bucolic settings he photographs; his work is visually arresting and expertly crafted. Folsom reminds us why our landscape is important. This is especially significant to me as I've just seen some of George Masa's, the Ansel Adams of Appalachia, remaining photos of the Blue Ridge (c. 1922-1933). Much of this landscape has been preserved in the Great Smoky Mountains National Park. Where it could have gone so terribly wrong, this beauty has been preserved.
We depend upon George Masa and John Folsom to help us remember what was.
Asheville
Asheville has more galleries than Charlotte, hmm. What does that say for this jewel of a town?
Gallery Minerva
Anna Parker-Barnett and Heidi Gruner--this is the gallery staff with whom I'd love to work. They do not hide behind computer screens and desks, they get up and greet you when you visit Gallery Minerva. Anna and Heidi speak with great authority about each artist in their gallery, I'm not talking art-speak either. It is so refreshing. Thank you both.
I'm happy to report the expansion of Gallery Minerva into a second space on Biltmore Ave. Anna is a great resource for starting or expanding your collection. If you are a first time art buyer and feel a bit intimidated, ask Anna, she will deftly guide you through the art purchase process. I urge you to support this downtown expansion and spend time and money in Asheville. This is a courageous move for Gallery Minerva and I applaud their grit and hope for their continued success.
Odyssey Center for Ceramic Arts
Another Asheville treasure is Odyssey Center for Ceramic Arts. I'm not sure how many artist work in this fine space, but let me say, it's a beehive of activity.
I attended a recent opening, "Ceramic Artists Members Show" and was thrilled to see the large crowd there. The show runs through March 6. Good food, great music and best of all excellent clay work. The show is beautifully curated by the resident artists. They are all versed in the complexities of ceramic art and willing to share this information with you.
Odyssey is one of those unique places that fosters artistic achievement; you'll find studio space with all the necessary equipment, classes, seminars, lectures and workshops.
Here I'll share the work of two Odyssey artists, Jillian Wolf and Kat McIver. Stop by Odyssey, see the show, be dazzled by the quality work made right here in Asheville.
Sunday, February 22, 2009
Friday, February 13, 2009
Contemporary Art (and some Blues) in Charleston, SC
I can surely recommend a January/February visit to Charleston; during this time you will encounter few tourists and mild weather. In fact it was kind of “Seattle” like--moody, grey, foggy and breezy.
I began my gallery crawl and found some contemporary art treasures here: RLS, Rebekah Jacobs, Redux Contemporary Art Center, Eva Carter Gallery, City Gallery, and Cone 10 Studios.
Redux Contemporary Art Center
Dalek, Broke Beaten and Buried
Jan 23-Mar 7, 2009
Here at Redux Contemporary, James Marshall, aka Dalek, has moved away from his well-known individualized works on canvas. This new work explodes within the galleries of Redux. The main portion of the exhibition was created on-site, one and a half weeks before the opening. A team of 8 people came together under the direction of Dalek to install this exciting work.
There are great photographs from the exhibition on the Redux website
and Dalek's website that you should check out if you haven't already.
The galleries crackle with visual excitement. I heard Charleston turned out 1,000 people, at the opening, to see this eye grabbing installation. You'll experience geometry and color theory seamlessly combined; the artist’s hand is never visible.
RLS
I began my gallery crawl and found some contemporary art treasures here: RLS, Rebekah Jacobs, Redux Contemporary Art Center, Eva Carter Gallery, City Gallery, and Cone 10 Studios.
Redux Contemporary Art Center
Dalek, Broke Beaten and Buried
Jan 23-Mar 7, 2009
Here at Redux Contemporary, James Marshall, aka Dalek, has moved away from his well-known individualized works on canvas. This new work explodes within the galleries of Redux. The main portion of the exhibition was created on-site, one and a half weeks before the opening. A team of 8 people came together under the direction of Dalek to install this exciting work.
There are great photographs from the exhibition on the Redux website
and Dalek's website that you should check out if you haven't already.
The galleries crackle with visual excitement. I heard Charleston turned out 1,000 people, at the opening, to see this eye grabbing installation. You'll experience geometry and color theory seamlessly combined; the artist’s hand is never visible.
RLS
Robert and Megan Lange are the most delightful, charming and knowledgeable art couple. Robert’s photorealism is featured in the gallery and he paints on site. Megan’s thoughtful landscapes are a subtle contrast to Robert's work. You can catch them on the gallery web cam.
Rebekah Jacob Gallery
Tim Hussey
March 1-31 (how’s that for a scoop?)
Hussey’s painterly work is executed with vigor and is not for timid art viewers. Figures and face are obscured, juicy items are collaged, and firm, confident strokes add layer upon layer of content. Hussey's figures are not shy; there’s humor and thoughtfulness going on here, take a serious look at this work.
Rebekah Jacobs Gallery is the only gallery in Charleston to run a contemporary program, photography program, a folk art program and an African-American program. Word has it Rebekah is force in the world of private art dealers. Be sure to follow her new bricks and mortar gallery.
Eva Carter
Karin Olah
Olah references the Amish quilts of her childhood in the work currently on exhibition at Eva Carter. She expertly collages fabric, cotton, silk, and linen, to emulate calligraphic brushstrokes. Paint, collage and fiber complete her work. Her palate is muted giving the fabric an opportunity to garner interest. Olah’s craft is exemplary.
City Gallery at Waterfront Park
Photography by Michelle Van Parys and Stuart Klipper
Mento Mori: Warnings from the American West and Antarctia
Warnings have been sounded, we know we are abusing our planet, Klipper and Van Parys have photographic evidence. You can see beauty and disgrace in the captivating show. Plus, the City Gallery is one of the great gifts of Charleston.
Mark Long, guest curator of Mento Mori, writes, “Be warned, then, of our power to disfigure even the most arresting landscapes.”
Lowcountry Blues Bash
Feb 6-16, 2009
All over Charleston
44 Acts that include Beverly “Guitar” Watson, Robert Paige & the Holy City Sinners, Dr. Pickup, Daddy Mack Blues Band, Liz Mandeville, and Tinsley Ellis.
Some more than half of the shows are free. What a great February get away. By mid-February I’m ready for winter to pass; hot guitar licks will surely help.
For more info: mail@bluesbash.com Have a great time.
Tim Hussey
March 1-31 (how’s that for a scoop?)
Hussey’s painterly work is executed with vigor and is not for timid art viewers. Figures and face are obscured, juicy items are collaged, and firm, confident strokes add layer upon layer of content. Hussey's figures are not shy; there’s humor and thoughtfulness going on here, take a serious look at this work.
Rebekah Jacobs Gallery is the only gallery in Charleston to run a contemporary program, photography program, a folk art program and an African-American program. Word has it Rebekah is force in the world of private art dealers. Be sure to follow her new bricks and mortar gallery.
Eva Carter
Karin Olah
Olah references the Amish quilts of her childhood in the work currently on exhibition at Eva Carter. She expertly collages fabric, cotton, silk, and linen, to emulate calligraphic brushstrokes. Paint, collage and fiber complete her work. Her palate is muted giving the fabric an opportunity to garner interest. Olah’s craft is exemplary.
City Gallery at Waterfront Park
Photography by Michelle Van Parys and Stuart Klipper
Mento Mori: Warnings from the American West and Antarctia
Warnings have been sounded, we know we are abusing our planet, Klipper and Van Parys have photographic evidence. You can see beauty and disgrace in the captivating show. Plus, the City Gallery is one of the great gifts of Charleston.
Mark Long, guest curator of Mento Mori, writes, “Be warned, then, of our power to disfigure even the most arresting landscapes.”
Lowcountry Blues Bash
Feb 6-16, 2009
All over Charleston
44 Acts that include Beverly “Guitar” Watson, Robert Paige & the Holy City Sinners, Dr. Pickup, Daddy Mack Blues Band, Liz Mandeville, and Tinsley Ellis.
Some more than half of the shows are free. What a great February get away. By mid-February I’m ready for winter to pass; hot guitar licks will surely help.
For more info: mail@bluesbash.com Have a great time.
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