While the fall leaf change might have been less than spectacular, the art scene in Asheville is full of visual delight. So get out and have a look.
Grant Penny at Asheville Area Arts Council
Graphics Designer, Grant Penny showed exquisitely sparse cut paper collage work at the Asheville Area Arts Council last month. You may still see the work at www.grantpenny.com.
This work is beautiful crafted using handmade Lakota paper to reveal negative spaces; I was completely smitten with his Botanical Silhouettes.
Get in touch with Grant and welcome him to the Asheville Art Scene.
Kathryn Kolb @ The Haen Gallery
Hands down some of the most beautiful photography I have seen. Kolb’s close in framing, composition, distribution of shape and soft focus yields amazing imagery. Her work is not Photoshop manipulated; she waits for the shot. We, the viewers, are greatly rewarded by her patience.
Taiyo la Paix and Heather Allen-Swarttouw at Blue Spiral
Taiyo la Paix brings his full lipped, full hipped and fully freckled anime heroine Twinkle to our full attention. She’s timid, she’s bold, she’s sassy and she’s insecure. Twinkle, what shall we do?
Lots of subtext here, you’ll enjoy deciphering this work.
Heather Allen-Swarttouw’s wonderful boats called to me. The vessels are haunting and sleek, some studded with nails and some filled with glass; each suggests a struggle.
Tuchin Center for Visual Arts
Opening on Friday, Nov 6 is 225ºF Encaustic Encounters. Fourteen artists (including yours truly) who work in wax are featured in this 100+ piece exhibition of encaustic paintings. It's well worth a trip to Boone, NC to see this show. Viewing this much encaustic work in one show is a unique opportunity; you will be surprised by the diversity.
The show runs through Feb 6, 2010.
Carolina Landscapes: Wendy Whitson, Karen Weihs, and Mary Farmer
The Design Gallery will open Carolina Landscapes on Nov 20, 2009. The artists will be on hand to share their Appalachian inspirations. This show will run through Jan 2, 1010.
Thursday, November 5, 2009
Friday, August 21, 2009
Healthy Hedonism
Healthy hedonisim, what's the point? The point is a wonderful meal at Cafe Azalea on Tunnel Road. Here's what I had: Chipotle turkey meatloaf- portabella gravy and olive oil sweet potatoes for $9.99. It was just delicious. The service was delightful, our waiter was knowledgeable and helped my dairy and gluten intolerant lunchmate with her selection. We left with big smiles.
Keep this in mind for lovely fall dining, Cafe Azalea has a nice patio for dining. They also feature local artists. The show changes every two months with an opening recpetion of their yummy apps and local brews. Get on board with this fun event.
While closed on Monday, they serve Sat & Sun brunch.
Keep this in mind for lovely fall dining, Cafe Azalea has a nice patio for dining. They also feature local artists. The show changes every two months with an opening recpetion of their yummy apps and local brews. Get on board with this fun event.
While closed on Monday, they serve Sat & Sun brunch.
Tuesday, July 28, 2009
Sips and Strokes, Birmngham Museum and Gallery Tour, Marcia Wood Gallery Opening
Sips and Strokes
Last fall, Audrey Helm Walter of Cheryl Smith Associates in Hendersonville asked me to be the lead artist for the June meeting of ASID, I agreed and went about my usual business of making art. Then, mid-May, the call came-- it was time for the event!
“Oh no”, I thought, “What will I do?” I’m pretty sure Audrey felt some apprehension as well. I know she was uneasy by my "do not worry we will make this happen attitude", you know, “these are creative people–they will get it”.
The evening was truly fun, I enjoyed the creative energy brought in by each and every participant, Audrey deserves special thanks for her great organizational abilities, our friends at Living Design for the fantastic space, and ASID members for their great enthusiasm.
And to punctuate my point, here’s an email from a happy participant:
Thanks for doing it. I had a terrible day at work that day and the last thing I wanted to do was be around people & "try to paint". But I am so glad I went. I hadn't painted since college and it was such a refreshing outlet for my frustrations that day. Thank you so much for giving us all a reason to be creative. And thanks to Audrey for getting us all together and all the hard work you put into making it happen. It paid off!
Plus, we were noted in the local newsletter:
Divine Living: A Great Experience
Artist Mary Farmer & Designers Painted It Up in Showroom
A "Sips and Strokes" event, hosted by the beautiful furniture showroom, Divine Living, in the Biltmore Square Mall, was the scene recently of a group of interior designers experimenting with brush and palette. Under the supervision of the highly accomplished artist, Mary Farmer, designers discovered another side of themselves in the field of art beyond specifying art for clients' interiors.
While playfully slapping paint on their canvases, a few designers announced that producing extraordinary art, compared to Ms. Farmer's exquisite canvases on hand, was a little more of a challenge than they previously imagined. A new level of appreciation of the talent and skills it takes to produce fine art was the outcome.
This ASID June 25th event, arranged by the new ASID Northwest Design Community co-chairs--- Audrey Helms Walter, Allied ASID, and Talli Allen-Roberts, ASID, included a tour of Divine Living's inspiring line of furniture and accessories. A visit to Divine Living's extensive fabric samples department was well worth the trip, all by itself.
Phyllis Roberts, their gracious host at Divine Living, stated that she welcomed all interior designers and decorators use of the fabric samples department and the furniture showroom to assist their respective clients. Ms. Roberts may be reached at:
Divine Living
Phyllis Roberts
828.670.7737
EMAIL: divineliving@charter.net
Information submitted by:
Audrey Helms Walter, Allied ASID
PH: 828.697.2012
Email: audrey@cherylsmithassociates.com
Summer Guest House
June 26 - August 1, 2009
Summer Guest House is an eclectic gathering of artists mixing it up at a summer happening. Marcia Wood Gallery artists have invited regional artists as their guests to exhibit work in this delightful visual conflation.
Guest Artists are Betsy Cain, Lisa Clague, Lorie Corbus, Mary Farmer, Julio Garcia, Scott Griffin, Rocky Horton, Lance Ledbetter, Mia Merlin, Mary O'Horo, Shana Robbins, Rocio Rodriguez, Ben Steele, Summer Wheat and Cosmo Whyte.
Host Artists are Frances Barth, Amber Boardman, Philip Carpenter, Monica Cook, Mary Engel, Jason Fulford, Marcus Kenney, Alan Loehle, Joanne Mattera, Chris Scarborough and Pamela Sunstrum.
It was such an honor to have been hosted by Joanne Mattera; many thanks, dear friend.
The June 26 opening was held in conjunction with the Castleberry Hill Artstroll, what a nice evening for Atlantans to get out and enjoy art. It was a lot of fun and I caught up with so many of my Atlanta friends. My warmest and special thanks to everyone who came out.
.
Birmngham, Alabama Art Visit
The whole FaceBook connection thing finally has paid off! I met Karen Jacobs, artist and good soul on FB and we made a date to meet at the Birmingham Museum of Art. I have to report that I haven’t set foot in the Bham museum in many, many moons.
If you, like me, have not visited in while, it’s time to make a stop at the Birmingham Museum of Art—it has changed! The collection is pretty substantial with an interesting mix, admission is free, and the staff is knowledgeable and friendly. I had a most interesting conversation with one of the docents while waiting for Karen (turns out she was already there and we were waiting at different entrances). Oh well, I digress…..
The Museum offers 6 collection support groups:
The Friends of American Art, The Asian Art Society, The Photography Guild, The Sankofa Society: Friends of African-American and African Art,The Collectors Circle for Contemporary Art, and The European Art Society. These groups foster growth and development for the museum and for collectors. Special events are scheduled through out the year for each support group, I urge you to check this out. What a great way to connect to your community and to learn more about art and its place in our society.
Birmingham Museum of Art is also looking into expanding; they are bursting at the seams and are in dire need of more space. There is talk of taking over Boutwell Auditorium and restoring its original façade. This would be a great addition to Birmingham’s cultural scene. Personally, I’m of the opinion that Birmingham has great potential in post recession days ahead. Tuck this little plum away.
Here’s a nice gallery outing:
Clay Scot Artworks, Loretta Goodwin Gallery, Matt Jones Gallery, Bare Hands Gallery, Maralyn Wilson, Naked Art, Littlehouse and Monty Stabler.
Birmingham galleries host a myriad of artists, styles, and inventory. You’ll be pleasantly surprised by the diversity.
I was unable to visit Bare Hands and Clay Scott as they were both closed on Tues. I did receive a phone call from Phillip Powell of Clay Scot offering to open the gallery for me, I’m so sorry I missed it. Hey Phillip, I’m sorry about those nose prints on your windows.
Last fall, Audrey Helm Walter of Cheryl Smith Associates in Hendersonville asked me to be the lead artist for the June meeting of ASID, I agreed and went about my usual business of making art. Then, mid-May, the call came-- it was time for the event!
“Oh no”, I thought, “What will I do?” I’m pretty sure Audrey felt some apprehension as well. I know she was uneasy by my "do not worry we will make this happen attitude", you know, “these are creative people–they will get it”.
The evening was truly fun, I enjoyed the creative energy brought in by each and every participant, Audrey deserves special thanks for her great organizational abilities, our friends at Living Design for the fantastic space, and ASID members for their great enthusiasm.
And to punctuate my point, here’s an email from a happy participant:
Thanks for doing it. I had a terrible day at work that day and the last thing I wanted to do was be around people & "try to paint". But I am so glad I went. I hadn't painted since college and it was such a refreshing outlet for my frustrations that day. Thank you so much for giving us all a reason to be creative. And thanks to Audrey for getting us all together and all the hard work you put into making it happen. It paid off!
Plus, we were noted in the local newsletter:
Divine Living: A Great Experience
Artist Mary Farmer & Designers Painted It Up in Showroom
A "Sips and Strokes" event, hosted by the beautiful furniture showroom, Divine Living, in the Biltmore Square Mall, was the scene recently of a group of interior designers experimenting with brush and palette. Under the supervision of the highly accomplished artist, Mary Farmer, designers discovered another side of themselves in the field of art beyond specifying art for clients' interiors.
While playfully slapping paint on their canvases, a few designers announced that producing extraordinary art, compared to Ms. Farmer's exquisite canvases on hand, was a little more of a challenge than they previously imagined. A new level of appreciation of the talent and skills it takes to produce fine art was the outcome.
This ASID June 25th event, arranged by the new ASID Northwest Design Community co-chairs--- Audrey Helms Walter, Allied ASID, and Talli Allen-Roberts, ASID, included a tour of Divine Living's inspiring line of furniture and accessories. A visit to Divine Living's extensive fabric samples department was well worth the trip, all by itself.
Phyllis Roberts, their gracious host at Divine Living, stated that she welcomed all interior designers and decorators use of the fabric samples department and the furniture showroom to assist their respective clients. Ms. Roberts may be reached at:
Divine Living
Phyllis Roberts
828.670.7737
EMAIL: divineliving@charter.net
Information submitted by:
Audrey Helms Walter, Allied ASID
PH: 828.697.2012
Email: audrey@cherylsmithassociates.com
Summer Guest House
June 26 - August 1, 2009
Summer Guest House is an eclectic gathering of artists mixing it up at a summer happening. Marcia Wood Gallery artists have invited regional artists as their guests to exhibit work in this delightful visual conflation.
Guest Artists are Betsy Cain, Lisa Clague, Lorie Corbus, Mary Farmer, Julio Garcia, Scott Griffin, Rocky Horton, Lance Ledbetter, Mia Merlin, Mary O'Horo, Shana Robbins, Rocio Rodriguez, Ben Steele, Summer Wheat and Cosmo Whyte.
Host Artists are Frances Barth, Amber Boardman, Philip Carpenter, Monica Cook, Mary Engel, Jason Fulford, Marcus Kenney, Alan Loehle, Joanne Mattera, Chris Scarborough and Pamela Sunstrum.
It was such an honor to have been hosted by Joanne Mattera; many thanks, dear friend.
The June 26 opening was held in conjunction with the Castleberry Hill Artstroll, what a nice evening for Atlantans to get out and enjoy art. It was a lot of fun and I caught up with so many of my Atlanta friends. My warmest and special thanks to everyone who came out.
.
Birmngham, Alabama Art Visit
The whole FaceBook connection thing finally has paid off! I met Karen Jacobs, artist and good soul on FB and we made a date to meet at the Birmingham Museum of Art. I have to report that I haven’t set foot in the Bham museum in many, many moons.
If you, like me, have not visited in while, it’s time to make a stop at the Birmingham Museum of Art—it has changed! The collection is pretty substantial with an interesting mix, admission is free, and the staff is knowledgeable and friendly. I had a most interesting conversation with one of the docents while waiting for Karen (turns out she was already there and we were waiting at different entrances). Oh well, I digress…..
The Museum offers 6 collection support groups:
The Friends of American Art, The Asian Art Society, The Photography Guild, The Sankofa Society: Friends of African-American and African Art,The Collectors Circle for Contemporary Art, and The European Art Society. These groups foster growth and development for the museum and for collectors. Special events are scheduled through out the year for each support group, I urge you to check this out. What a great way to connect to your community and to learn more about art and its place in our society.
Birmingham Museum of Art is also looking into expanding; they are bursting at the seams and are in dire need of more space. There is talk of taking over Boutwell Auditorium and restoring its original façade. This would be a great addition to Birmingham’s cultural scene. Personally, I’m of the opinion that Birmingham has great potential in post recession days ahead. Tuck this little plum away.
Here’s a nice gallery outing:
Clay Scot Artworks, Loretta Goodwin Gallery, Matt Jones Gallery, Bare Hands Gallery, Maralyn Wilson, Naked Art, Littlehouse and Monty Stabler.
Birmingham galleries host a myriad of artists, styles, and inventory. You’ll be pleasantly surprised by the diversity.
I was unable to visit Bare Hands and Clay Scott as they were both closed on Tues. I did receive a phone call from Phillip Powell of Clay Scot offering to open the gallery for me, I’m so sorry I missed it. Hey Phillip, I’m sorry about those nose prints on your windows.
Tuesday, June 16, 2009
SUMMER GUEST HOUSE
Please join me Friday June 26, for the opening reception at Marcia Wood Gallery
SUMMER GUEST HOUSE
June 26 - August 1, 2009
Opening Reception Friday June 26, 7 - 10 pm, this evening is also in conjunction with the Castleberry Hill Artstroll
SUMMER GUEST HOUSE is an eclectic gathering of artists mixing it up at a summer happening. Marcia Wood Gallery artists have invited regional artists as their guests to exhibit work in this delightful visual conflation.
Guest Artists are Betsy Cain, Lisa Clague, Lorie Corbus, Mary Farmer, Julio Garcia, Scott Griffin, Rocky Horton, Lance Ledbetter, Mia Merlin, Mary O'Horo, Shana Robbins, Rocio Rodriguez, Ben Steele, Summer Wheat and Cosmo Whyte.
Host Artists are Frances Barth, Amber Boardman, Philip Carpenter, Monica Cook, Mary Engel, Jason Fulford, Marcus Kenney, Alan Loehle, Joanne Mattera, Chris Scarborough and Pamela Sunstrum.
With House Guest Karen Hennessee presenting The Strand
SUMMER GUEST HOUSE
June 26 - August 1, 2009
Opening Reception Friday June 26, 7 - 10 pm, this evening is also in conjunction with the Castleberry Hill Artstroll
SUMMER GUEST HOUSE is an eclectic gathering of artists mixing it up at a summer happening. Marcia Wood Gallery artists have invited regional artists as their guests to exhibit work in this delightful visual conflation.
Guest Artists are Betsy Cain, Lisa Clague, Lorie Corbus, Mary Farmer, Julio Garcia, Scott Griffin, Rocky Horton, Lance Ledbetter, Mia Merlin, Mary O'Horo, Shana Robbins, Rocio Rodriguez, Ben Steele, Summer Wheat and Cosmo Whyte.
Host Artists are Frances Barth, Amber Boardman, Philip Carpenter, Monica Cook, Mary Engel, Jason Fulford, Marcus Kenney, Alan Loehle, Joanne Mattera, Chris Scarborough and Pamela Sunstrum.
With House Guest Karen Hennessee presenting The Strand
Friday, May 22, 2009
On the Verge: Emerging Artists
Movie Picks
Get out and see “Sin Nombre”, it’s moving, it’s harsh and it never backs down. This is a powerful and moving film; best anti-gang motivation ever.
I loved Star Trek, it was serious fun, make time to see this summer feature.
On the Verge
What a cool show; ten of Western North Carolina’s emerging artists have been selected to represent. Over 150 artists submitted work for consideration, not surprising for a region known to foster its artists.
The work of Ian Brownlee, Ben Johnson, Marie Knight, Genie Maples, Libby & Jim Mijanovich, Sylvie Rosenthal, Gabriel Shaffer, E. Ryan Simmons, and Megan Van Deusen is featured in a show at the Asheville Area Arts Council through May 29, 2009.
A short bio of each artist is available in May 2009, “The ARTS Issue”, of WNC Magazine. The powers that be at WNC magazine are delighted with the outcome and huge number of web hits on this issue. Keep it up we need your support! Please let everyone know that art is important to you and to your community. We love Asheville because of the many cultural offerings, if they go away so will the great quality of life we so enjoy here.
Three Day Encaustic Class
I’ve just finished teaching a 3 Day class here in Asheville; Fleta Monaghan hosted me and my hot plates and my heat guns in her River’s Edge Studios this past week end.
We had so much fun! Everyone just jumped in with both, uh, hands and made some art. This class starts from the very beginning and ends with intermediate encaustic techniques. All students left with finished pieces, many with the determination to continue on.
I’ll teach this class again in September, stay tuned for dates, etc.
My Work
I have been very busy with my own work; it’s been a most productive time for me. I’m very pleased to have been invited to show in two regional galleries, The Design Gallery in Burnsville and the new Revolving Arts Gallery in Hendersonville.
If you have not visited The Design Gallery, 7 S Main St, Burnsville, NC, I urge to check it out. Firstly, it’s a delightful day trip from Asheville and secondly, you are going to be astounded by the quality work in Wendy Reid’s gallery.
Artists are drawn to this region for many reasons: natural beauty, spirituality, cultural happenings, m usic, the long history of art making, etc. The quality of work available will astonish. Wendy is personally acquainted with of all her artists. She will quickly share that knowledge to give you a firm sense of what is happening with any particular piece of art; you will make an informed choice.
Wendy and I were featured in the May issue of WNC Woman. Check it out, if you’d like a copy just let me know.
Down in Hendersonville, Julie Spalla and David Lookingbill have launched The Revolving Arts Gallery. Expect to hear much more about this gorgeous gallery located at 511 S. Main St.
Get out and see “Sin Nombre”, it’s moving, it’s harsh and it never backs down. This is a powerful and moving film; best anti-gang motivation ever.
I loved Star Trek, it was serious fun, make time to see this summer feature.
On the Verge
What a cool show; ten of Western North Carolina’s emerging artists have been selected to represent. Over 150 artists submitted work for consideration, not surprising for a region known to foster its artists.
The work of Ian Brownlee, Ben Johnson, Marie Knight, Genie Maples, Libby & Jim Mijanovich, Sylvie Rosenthal, Gabriel Shaffer, E. Ryan Simmons, and Megan Van Deusen is featured in a show at the Asheville Area Arts Council through May 29, 2009.
A short bio of each artist is available in May 2009, “The ARTS Issue”, of WNC Magazine. The powers that be at WNC magazine are delighted with the outcome and huge number of web hits on this issue. Keep it up we need your support! Please let everyone know that art is important to you and to your community. We love Asheville because of the many cultural offerings, if they go away so will the great quality of life we so enjoy here.
Three Day Encaustic Class
I’ve just finished teaching a 3 Day class here in Asheville; Fleta Monaghan hosted me and my hot plates and my heat guns in her River’s Edge Studios this past week end.
We had so much fun! Everyone just jumped in with both, uh, hands and made some art. This class starts from the very beginning and ends with intermediate encaustic techniques. All students left with finished pieces, many with the determination to continue on.
I’ll teach this class again in September, stay tuned for dates, etc.
My Work
I have been very busy with my own work; it’s been a most productive time for me. I’m very pleased to have been invited to show in two regional galleries, The Design Gallery in Burnsville and the new Revolving Arts Gallery in Hendersonville.
If you have not visited The Design Gallery, 7 S Main St, Burnsville, NC, I urge to check it out. Firstly, it’s a delightful day trip from Asheville and secondly, you are going to be astounded by the quality work in Wendy Reid’s gallery.
Artists are drawn to this region for many reasons: natural beauty, spirituality, cultural happenings, m usic, the long history of art making, etc. The quality of work available will astonish. Wendy is personally acquainted with of all her artists. She will quickly share that knowledge to give you a firm sense of what is happening with any particular piece of art; you will make an informed choice.
Wendy and I were featured in the May issue of WNC Woman. Check it out, if you’d like a copy just let me know.
Down in Hendersonville, Julie Spalla and David Lookingbill have launched The Revolving Arts Gallery. Expect to hear much more about this gorgeous gallery located at 511 S. Main St.
Thursday, April 23, 2009
New Work April 2009
Sunrise in the Glen, 30 x 38 x 2 Encaustic on Panel
Forsythia Amid the Mist, 30 x 38 x 2, Encaustic on Panel
Abundance, 40 x 48 x 2, Encaustic on Panel
As you can see I've been pretty busy. I'm excited about this work and have a new venue for its debut. The venue is still under wraps, I'll let you know very soon where this art can be seen. Just know I'm so pleased to have been invited.
I've written an article for WNC Woman Magazine; be sure to check the May Issue.
You may find my work in Burnsville, NC at The Design Gallery. It's a lovely little town and Wendy Reid, at The Design Gallery, has been tremendously supportive of my work. Please stop in, it's on the way to Penland for a great day trip.
I've got a music tip: Grit Pixies...two women making whole lotta sound. Give a listen
Sunday, February 22, 2009
Savannah, Atlanta and Asheville - Worth a look
Savannah
Teaming with SCAD influences the opening of contemporary art spaces in Savannah is quite refreshing. It's such a lovely place to walk about and stumble into things like to gardens, quaint shops and yummy eateries. It's an unexpected pleasure to find interesting and compelling contemporary art in history steeped Savannah.
2carGarage
During my visit in early Feb, an excellent show of Chris Kienke's work was up. His work covers a lot of territory, figures, animals, abstraction, fish, water and yet is all recognizable as Chris Kienke. I liked the variety in the scale of work as well,this variation provided unexpected delight from large diptychs to more personal, small work.
Color abounds, Kienke's visual language is evolving over each piece you see the strokes change, the palette changes, and the content. In his own words, "...I recognized the value in the unintended". Thanks for this show.
Up next at 2carGARAGE is Betsy Cain's strong and decisive mental landscape work. Stop by, you'll be glad you did.
Atlanta
Meeting fellow artists and reacquainting is sheer delight. I love how artist's minds work and how we look at the world. It was my great pleasure to me John Folsom.
John Folsom
Folsom has just received confirmation of a show at the Gibbes Museum in Charleston; well deserved I might add.
John's photo based work lends a dreamy quality to the bucolic settings he photographs; his work is visually arresting and expertly crafted. Folsom reminds us why our landscape is important. This is especially significant to me as I've just seen some of George Masa's, the Ansel Adams of Appalachia, remaining photos of the Blue Ridge (c. 1922-1933). Much of this landscape has been preserved in the Great Smoky Mountains National Park. Where it could have gone so terribly wrong, this beauty has been preserved.
We depend upon George Masa and John Folsom to help us remember what was.
Asheville
Asheville has more galleries than Charlotte, hmm. What does that say for this jewel of a town?
Gallery Minerva
Anna Parker-Barnett and Heidi Gruner--this is the gallery staff with whom I'd love to work. They do not hide behind computer screens and desks, they get up and greet you when you visit Gallery Minerva. Anna and Heidi speak with great authority about each artist in their gallery, I'm not talking art-speak either. It is so refreshing. Thank you both.
I'm happy to report the expansion of Gallery Minerva into a second space on Biltmore Ave. Anna is a great resource for starting or expanding your collection. If you are a first time art buyer and feel a bit intimidated, ask Anna, she will deftly guide you through the art purchase process. I urge you to support this downtown expansion and spend time and money in Asheville. This is a courageous move for Gallery Minerva and I applaud their grit and hope for their continued success.
Odyssey Center for Ceramic Arts
Another Asheville treasure is Odyssey Center for Ceramic Arts. I'm not sure how many artist work in this fine space, but let me say, it's a beehive of activity.
I attended a recent opening, "Ceramic Artists Members Show" and was thrilled to see the large crowd there. The show runs through March 6. Good food, great music and best of all excellent clay work. The show is beautifully curated by the resident artists. They are all versed in the complexities of ceramic art and willing to share this information with you.
Odyssey is one of those unique places that fosters artistic achievement; you'll find studio space with all the necessary equipment, classes, seminars, lectures and workshops.
Here I'll share the work of two Odyssey artists, Jillian Wolf and Kat McIver. Stop by Odyssey, see the show, be dazzled by the quality work made right here in Asheville.
Teaming with SCAD influences the opening of contemporary art spaces in Savannah is quite refreshing. It's such a lovely place to walk about and stumble into things like to gardens, quaint shops and yummy eateries. It's an unexpected pleasure to find interesting and compelling contemporary art in history steeped Savannah.
2carGarage
During my visit in early Feb, an excellent show of Chris Kienke's work was up. His work covers a lot of territory, figures, animals, abstraction, fish, water and yet is all recognizable as Chris Kienke. I liked the variety in the scale of work as well,this variation provided unexpected delight from large diptychs to more personal, small work.
Color abounds, Kienke's visual language is evolving over each piece you see the strokes change, the palette changes, and the content. In his own words, "...I recognized the value in the unintended". Thanks for this show.
Up next at 2carGARAGE is Betsy Cain's strong and decisive mental landscape work. Stop by, you'll be glad you did.
Atlanta
Meeting fellow artists and reacquainting is sheer delight. I love how artist's minds work and how we look at the world. It was my great pleasure to me John Folsom.
John Folsom
Folsom has just received confirmation of a show at the Gibbes Museum in Charleston; well deserved I might add.
John's photo based work lends a dreamy quality to the bucolic settings he photographs; his work is visually arresting and expertly crafted. Folsom reminds us why our landscape is important. This is especially significant to me as I've just seen some of George Masa's, the Ansel Adams of Appalachia, remaining photos of the Blue Ridge (c. 1922-1933). Much of this landscape has been preserved in the Great Smoky Mountains National Park. Where it could have gone so terribly wrong, this beauty has been preserved.
We depend upon George Masa and John Folsom to help us remember what was.
Asheville
Asheville has more galleries than Charlotte, hmm. What does that say for this jewel of a town?
Gallery Minerva
Anna Parker-Barnett and Heidi Gruner--this is the gallery staff with whom I'd love to work. They do not hide behind computer screens and desks, they get up and greet you when you visit Gallery Minerva. Anna and Heidi speak with great authority about each artist in their gallery, I'm not talking art-speak either. It is so refreshing. Thank you both.
I'm happy to report the expansion of Gallery Minerva into a second space on Biltmore Ave. Anna is a great resource for starting or expanding your collection. If you are a first time art buyer and feel a bit intimidated, ask Anna, she will deftly guide you through the art purchase process. I urge you to support this downtown expansion and spend time and money in Asheville. This is a courageous move for Gallery Minerva and I applaud their grit and hope for their continued success.
Odyssey Center for Ceramic Arts
Another Asheville treasure is Odyssey Center for Ceramic Arts. I'm not sure how many artist work in this fine space, but let me say, it's a beehive of activity.
I attended a recent opening, "Ceramic Artists Members Show" and was thrilled to see the large crowd there. The show runs through March 6. Good food, great music and best of all excellent clay work. The show is beautifully curated by the resident artists. They are all versed in the complexities of ceramic art and willing to share this information with you.
Odyssey is one of those unique places that fosters artistic achievement; you'll find studio space with all the necessary equipment, classes, seminars, lectures and workshops.
Here I'll share the work of two Odyssey artists, Jillian Wolf and Kat McIver. Stop by Odyssey, see the show, be dazzled by the quality work made right here in Asheville.
Friday, February 13, 2009
Contemporary Art (and some Blues) in Charleston, SC
I can surely recommend a January/February visit to Charleston; during this time you will encounter few tourists and mild weather. In fact it was kind of “Seattle” like--moody, grey, foggy and breezy.
I began my gallery crawl and found some contemporary art treasures here: RLS, Rebekah Jacobs, Redux Contemporary Art Center, Eva Carter Gallery, City Gallery, and Cone 10 Studios.
Redux Contemporary Art Center
Dalek, Broke Beaten and Buried
Jan 23-Mar 7, 2009
Here at Redux Contemporary, James Marshall, aka Dalek, has moved away from his well-known individualized works on canvas. This new work explodes within the galleries of Redux. The main portion of the exhibition was created on-site, one and a half weeks before the opening. A team of 8 people came together under the direction of Dalek to install this exciting work.
There are great photographs from the exhibition on the Redux website
and Dalek's website that you should check out if you haven't already.
The galleries crackle with visual excitement. I heard Charleston turned out 1,000 people, at the opening, to see this eye grabbing installation. You'll experience geometry and color theory seamlessly combined; the artist’s hand is never visible.
RLS
I began my gallery crawl and found some contemporary art treasures here: RLS, Rebekah Jacobs, Redux Contemporary Art Center, Eva Carter Gallery, City Gallery, and Cone 10 Studios.
Redux Contemporary Art Center
Dalek, Broke Beaten and Buried
Jan 23-Mar 7, 2009
Here at Redux Contemporary, James Marshall, aka Dalek, has moved away from his well-known individualized works on canvas. This new work explodes within the galleries of Redux. The main portion of the exhibition was created on-site, one and a half weeks before the opening. A team of 8 people came together under the direction of Dalek to install this exciting work.
There are great photographs from the exhibition on the Redux website
and Dalek's website that you should check out if you haven't already.
The galleries crackle with visual excitement. I heard Charleston turned out 1,000 people, at the opening, to see this eye grabbing installation. You'll experience geometry and color theory seamlessly combined; the artist’s hand is never visible.
RLS
Robert and Megan Lange are the most delightful, charming and knowledgeable art couple. Robert’s photorealism is featured in the gallery and he paints on site. Megan’s thoughtful landscapes are a subtle contrast to Robert's work. You can catch them on the gallery web cam.
Rebekah Jacob Gallery
Tim Hussey
March 1-31 (how’s that for a scoop?)
Hussey’s painterly work is executed with vigor and is not for timid art viewers. Figures and face are obscured, juicy items are collaged, and firm, confident strokes add layer upon layer of content. Hussey's figures are not shy; there’s humor and thoughtfulness going on here, take a serious look at this work.
Rebekah Jacobs Gallery is the only gallery in Charleston to run a contemporary program, photography program, a folk art program and an African-American program. Word has it Rebekah is force in the world of private art dealers. Be sure to follow her new bricks and mortar gallery.
Eva Carter
Karin Olah
Olah references the Amish quilts of her childhood in the work currently on exhibition at Eva Carter. She expertly collages fabric, cotton, silk, and linen, to emulate calligraphic brushstrokes. Paint, collage and fiber complete her work. Her palate is muted giving the fabric an opportunity to garner interest. Olah’s craft is exemplary.
City Gallery at Waterfront Park
Photography by Michelle Van Parys and Stuart Klipper
Mento Mori: Warnings from the American West and Antarctia
Warnings have been sounded, we know we are abusing our planet, Klipper and Van Parys have photographic evidence. You can see beauty and disgrace in the captivating show. Plus, the City Gallery is one of the great gifts of Charleston.
Mark Long, guest curator of Mento Mori, writes, “Be warned, then, of our power to disfigure even the most arresting landscapes.”
Lowcountry Blues Bash
Feb 6-16, 2009
All over Charleston
44 Acts that include Beverly “Guitar” Watson, Robert Paige & the Holy City Sinners, Dr. Pickup, Daddy Mack Blues Band, Liz Mandeville, and Tinsley Ellis.
Some more than half of the shows are free. What a great February get away. By mid-February I’m ready for winter to pass; hot guitar licks will surely help.
For more info: mail@bluesbash.com Have a great time.
Tim Hussey
March 1-31 (how’s that for a scoop?)
Hussey’s painterly work is executed with vigor and is not for timid art viewers. Figures and face are obscured, juicy items are collaged, and firm, confident strokes add layer upon layer of content. Hussey's figures are not shy; there’s humor and thoughtfulness going on here, take a serious look at this work.
Rebekah Jacobs Gallery is the only gallery in Charleston to run a contemporary program, photography program, a folk art program and an African-American program. Word has it Rebekah is force in the world of private art dealers. Be sure to follow her new bricks and mortar gallery.
Eva Carter
Karin Olah
Olah references the Amish quilts of her childhood in the work currently on exhibition at Eva Carter. She expertly collages fabric, cotton, silk, and linen, to emulate calligraphic brushstrokes. Paint, collage and fiber complete her work. Her palate is muted giving the fabric an opportunity to garner interest. Olah’s craft is exemplary.
City Gallery at Waterfront Park
Photography by Michelle Van Parys and Stuart Klipper
Mento Mori: Warnings from the American West and Antarctia
Warnings have been sounded, we know we are abusing our planet, Klipper and Van Parys have photographic evidence. You can see beauty and disgrace in the captivating show. Plus, the City Gallery is one of the great gifts of Charleston.
Mark Long, guest curator of Mento Mori, writes, “Be warned, then, of our power to disfigure even the most arresting landscapes.”
Lowcountry Blues Bash
Feb 6-16, 2009
All over Charleston
44 Acts that include Beverly “Guitar” Watson, Robert Paige & the Holy City Sinners, Dr. Pickup, Daddy Mack Blues Band, Liz Mandeville, and Tinsley Ellis.
Some more than half of the shows are free. What a great February get away. By mid-February I’m ready for winter to pass; hot guitar licks will surely help.
For more info: mail@bluesbash.com Have a great time.
Friday, January 23, 2009
Up at 16 Patton Fine Art
Margaret Dyer
Margaret Dyer master of pastel is also working in oil. One of my earliest art classes was Dyer’s pastel class. Oh was it ever delicious, discovering all those colors in skin tones and having the figure come alive on paper. She is truly inspiring and a deft painter. It has been so nice to reconnect with her work. To you, Margaret, great job!
Raymond Chorneau
Chorneau’s work is dreamy and textural with brush strokes enlivened by oil and cold wax. You can see the Bay Area/Olivera influence in these constructions, where layers are added and layers are removed; snippets of each bring the surface to life. These figures are moody, strong, vague and present. The tension is palpable, we’re not sure what has transpired. Take a good long drink of Chorneau’s work.
R. John Ichter
Talk about pure color! R. John Ichter’s work incorporates pure pigment in intense competing colors which create a rich, vibrant world. This work has a strong presence and a velvety feeling, I’m not talking Elvis velvet here. The pigment sparkles and crackles; they reach out and grab your attention. You will not be a passive viewer.
Suzy Schultz
Bathed in light and perched pensively in a chair “Expecting #2” is sheer anticipation. This large watercolor by Shultz is well executed, the paint fluid and spontaneous. We have happened upon a very private moment; this sitter is expectant.
Expecting #2
Margaret Dyer master of pastel is also working in oil. One of my earliest art classes was Dyer’s pastel class. Oh was it ever delicious, discovering all those colors in skin tones and having the figure come alive on paper. She is truly inspiring and a deft painter. It has been so nice to reconnect with her work. To you, Margaret, great job!
Favorite Black Shoes
Raymond Chorneau
Chorneau’s work is dreamy and textural with brush strokes enlivened by oil and cold wax. You can see the Bay Area/Olivera influence in these constructions, where layers are added and layers are removed; snippets of each bring the surface to life. These figures are moody, strong, vague and present. The tension is palpable, we’re not sure what has transpired. Take a good long drink of Chorneau’s work.
Left: Pow, Right: Blue Morning
R. John Ichter
Talk about pure color! R. John Ichter’s work incorporates pure pigment in intense competing colors which create a rich, vibrant world. This work has a strong presence and a velvety feeling, I’m not talking Elvis velvet here. The pigment sparkles and crackles; they reach out and grab your attention. You will not be a passive viewer.
Sapphire Point
Suzy Schultz
Bathed in light and perched pensively in a chair “Expecting #2” is sheer anticipation. This large watercolor by Shultz is well executed, the paint fluid and spontaneous. We have happened upon a very private moment; this sitter is expectant.
Expecting #2
Tuesday, January 13, 2009
Changing Coasts Opening
Here are Photos from the opening of my Changing Coasts Show
Press Release:
Asheville Area Arts Council presents: Changing Coasts, new work by Mary Farmer
Changing Coasts encaustic work by new to Asheville artist, Mary Farmer, captures her impression of WNC. Says Farmer, "Working in wax, encaustic painting, is a very physical endeavor. You'll find heat guns, hot plates, large wooden panels, and gas torches in my studio. This physicality is very appealing to me as I layer and scrape, gouge and fill, heat and distress each work. When paired with my own visual vocabulary, I find myself deeply involved in the process; it is the perfect combination of process, abstraction, color, movement and composition."
Paintings rendered in encaustic have given collectors a new medium to contemplate and has attracted its very own following. The work is lush,
luminous and presents great depth.
A reception for Asheville artist Mary Farmer will be held in the Boardroom Gallery on Friday, January 9, 5:30-8:30 p.m. at the Asheville Area Arts Council,11 Biltmore Avenue. Titled “Changing Coasts”, the exhibit remains on display through Feb 28.
Mary Farmer
828.712.3786
6 Lakeshore Lane
Asheville, NC 28804
www.maryfarmer.com
Press Release:
Asheville Area Arts Council presents: Changing Coasts, new work by Mary Farmer
Changing Coasts encaustic work by new to Asheville artist, Mary Farmer, captures her impression of WNC. Says Farmer, "Working in wax, encaustic painting, is a very physical endeavor. You'll find heat guns, hot plates, large wooden panels, and gas torches in my studio. This physicality is very appealing to me as I layer and scrape, gouge and fill, heat and distress each work. When paired with my own visual vocabulary, I find myself deeply involved in the process; it is the perfect combination of process, abstraction, color, movement and composition."
Paintings rendered in encaustic have given collectors a new medium to contemplate and has attracted its very own following. The work is lush,
luminous and presents great depth.
A reception for Asheville artist Mary Farmer will be held in the Boardroom Gallery on Friday, January 9, 5:30-8:30 p.m. at the Asheville Area Arts Council,11 Biltmore Avenue. Titled “Changing Coasts”, the exhibit remains on display through Feb 28.
Mary Farmer
828.712.3786
6 Lakeshore Lane
Asheville, NC 28804
www.maryfarmer.com
Subscribe to:
Posts (Atom)